Portuguese

ISBN:193563951X

ISBN13:9781935639510

Publisher:Tin House Books, LLC

Author:Brandon Shimoda

Buying Options

Own it? Sell it back

Portuguese Description

The first book in a series of collaborations between Tin House and Octopus Books, Brandon Shimoda's Portuguese introduces a powerful new voice in American poetry.

The poems in Portuguese began while Brandon rode city buses around Seattle, and were inspired by his fellow passengers―their voices and their minds, their faces and their bodies, their exuberances and infirmities, and the ways in which they enlivened and darkened the days at once. It was with and within these people that poetry seemed most alive. At the same time, they began as responses to the words and writings of visual artists, mostly painters, whom Brandon was reading while riding the bus, especially Etel Adnan, Eugene Delacroix, Alberto Giacometti, Paul Klee, and Joan Mitchell, all of whom appear in the book. It was with and within these people, also, that poetry seemed most alive. In both senses, Portuguese is a work of color. Portuguese owes also a debt to a visit to Beirut, Lebanon (2009); six months spent in a cabin in the woods of western Maine (2010-2011); and the Japanese poets Kazuko Shiraishi, Ryuichi Tamura and Minoru Yoshioka, and their translators. It was written primarily in Seattle, Washington; Beirut, Lebanon; and Weld, Maine, though revised in Albany, California; Beacon, New York; and St. Louis, Missouri. In that sense, Portuguese is a travelogue, as well as a work of restlessness. Throughout writing the poems that became Portuguese, the presiding struggle was with poetry itself―the form and its impulses―voice and mind, face and body, exuberance and infirmity―as well as with the act of writing. The book actually began in the early 1980s, while on the bus to elementary school in a small town in New England, when Brandon was taunted for being “Portuguese.” In that sense, Portuguese returns its author to this moment in which he felt challenged to become what he was being called, however falsely, and despite feeling confused, flushed and afraid. In that sense, Portuguese is a work of crossdressing. However, Portuguese is both more and less than all these things. It was―and is―a way to keep up with life in the form of drawing observations and feelings on paper, and to give form to the energy making up some part of memory. It is the fourth book in a series that began with The Alps, The Girl Without Arms, and O Bon. In this sense―and in all those above―it is an act of preservation, and therefore a work for his friends, his family, and for love.

Log In

or Create an account

Employers & Housing Providers

Employers can list job opportunities for students

Post a Job

Housing Providers can list available housing

Post Housing

Log In

Forgot your password?

Your new password has been sent to your email!

Logout Successful!

You just missed it! This listing has been filled.

Post your own housing listing on Uloop and have students reach out to you!

Upload An Image

Please select an image to upload
Note: must be in .png, .gif or .jpg format
OR
Provide URL where image can be downloaded
Note: must be in .png, .gif or .jpg format